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Six finished drawings would likely take me about twelve weeks to produce today. One of the problems with art is that the more you learn about it, the harder it gets, in a sense. When you are aware of what choices you have and what they can mean, just selecting a font can take forever. Luckily, given the deadline back then, I was far too stupid to know any better. Luckier still was the fact the committee would have practically printed them sight unseen they were so desperate. In other words, not a peep of editorial judgement was passed. I believe I have never experienced that divine condition ever again. Even when drawing for myself...
These were printed at more or less actual size. I recall doing them on lightweight bristol board, after roughing them out in non-photo blue pencil, a technical feat I had learned from reading countless "How to Cartoon" books. I traced the font from a Lettraset catalog and just inked it with the same pen head I did everything else with. I had a Staedler Mars rapidograph, which is rumbling around in a drawer here at home still.
It's kind of startling in retrospect that all of the figures here are male. So much for gender diversity I guess, though I don't remember anyone making a comment one way or another. One of the reasons it never entered my mind to draw any females is that I was pretty inept at it, though from the looks of some of my old sketchbooks, it wasn't for lack of trying...
In Auburn NY, High School football was the town's prevailing religion. I was famously poor in athletics and generally hated sports, but I have always had a special antipathy toward football, represented in the slam-dunking this quarterback (number "zero") is getting. ZING!!!
...and in case you were wondering: go ahead and laugh. Dig the HUGE glasses and the beyond hip POGO quote. No wonder I was available to do these! What does the "S" stand for you wonder? "Smoldering?" "Sassenheimer?" ..."Slouchy?" I'll never tell...